Shot this music video for Frozen Fields, collaborating with movement director Ryan Beck. The shoot took place under a bridge, creating a visually striking setting with dramatic textures and natural framing opportunities. Ryan’s choreography added fluidity and intensity, so I focused on capturing movement dynamically, playing with shadows and natural light to enhance the performance. Really enjoyed how organic and visually compelling this piece turned out.

Directed, shot, and graded this music video for Tuarrah. Big shoutout to Charlie—an amazing musician and ultimate collaborator—and to Julia, whose incredible voice brought everything to life. She was even willing to jump into an abandoned quarry at night, floating and singing through takes to get some truly striking visuals. Loved every moment of this shoot.

Directed, shot, and edited this music video for artist Akil Davis as part of the Megastar competition, where hundreds of thousands competed for a million-dollar prize and a chance to meet Usher. We ended up in the top three, and Akil got the opportunity to meet Usher personally. The shoot was intense and entirely live—capturing Akil performing at multiple events in real-time. I used frenetic handheld camera work, hyperlapses, timelapses, and high-energy editing to create a vibrant visual style that matched the excitement and immediacy of his performances. Definitely a memorable project with huge payoff.

Shot this music video with director Lou Robinson and fellow cinematographer Yurek Akbar in a Brooklyn warehouse. It was a long day—raw, gritty, and visually energetic, matching the band’s style perfectly. We experimented a lot with lighting and framing, playing up the industrial vibe of the space. Always love collaborating with Yurek and Lou; shoots with them consistently bring a strong creative energy.

Shot this music video in the California desert, directed by Lou Robinson for artist Lindsey Hailes. The desert landscape offered amazing visuals and natural textures, making it easy to capture cinematic moments. Always love collaborating with Lou—her creative vision made this shoot particularly rewarding.

Directed, shot, and graded this unofficial music video for Oblyx. It was a stripped-back production—just me, the talent, and our amazing producer/stylist Hope, who pulled everything together. We created the ballet choreography on the spot, capturing some stunning moments in a simple, cinematic style. Loved the creative freedom and how naturally everything came together.

Directed and shot this charity spot solo—no crew, just me and the talent working together on the fly. It was for a great cause, so we kept the visuals simple and personal, relying on natural lighting and intuitive framing. Loved the flexibility of working solo, letting us get creative quickly and capture genuine, spontaneous moments.

Directed, shot, and edited this music video for artist Megan Talay—my first project directing and DP’ing for NB Content. We filmed over a full winter day using a Steadicam setup, which allowed us to capture smooth, dynamic movements and intimate moments despite the freezing temperatures. The cold definitely made things tricky, especially keeping equipment running smoothly and everyone warm, but the challenges made the shoot memorable. Megan’s entire family joined in, adding a personal touch and great energy on set. Their involvement created an authentic vibe that matched the feel of the song perfectly.

Shot this one-take music video directed by Dave Schmidt for artists Brynn Cartelli and Ben Abrahams. We called it a “walk-and-sing,” filming in a single continuous shot, capturing the artists’ performances in real-time. It was challenging to coordinate camera movements, pacing, and performance seamlessly, but the result felt natural and effortless. Always rewarding to work this closely with talented musicians and pull off a one-take shoot.

Shot this one-take music video with director Dave Schmidt featuring artists Ben Abrahams and Brynn Cartelli. It was another “walk-and-sing” concept, similar to our previous video, but this time we focused primarily on Ben’s performance. The choreography was spot-on—every step, camera move, and interaction was carefully planned and timed out. Definitely challenging, but super rewarding to pull off smoothly.

Filmed this music video for Akil Davis with cinematographer Yurek Akbar as part of the Megastar competition, where we had to create a new video every week. This submission was fast-paced, creative, and energetic—exactly what you’d expect from a quick-turnaround challenge. We kept the visuals dynamic and fresh to match Akil’s performance. Definitely a fun, high-intensity project.

Directed, shot, and edited this music video for Elizabeth Wyld. When Elizabeth reached out, I was genuinely touched by the song, and the concept felt fun and achievable. We spent an afternoon running around NYC capturing moments spontaneously—really a collective effort with great energy. Loved how natural and easy this one felt.

Directed and edited this unofficial music video for The Prodigy alongside cinematographer Yurek Akbar. We teamed up with two awesome stuntmen and shot the entire piece in just a couple of hours. It was fast, spontaneous, and high-energy—exactly the kind of shoot I love. Great fun all around.